Archives


Habitat: On the Road  ArtNews Magazine By Katherine McMahon Winter 2019     Excerpt: L.A.-born painter Linda Vallejo does a lot of thinking in her 2009 Toyota Avalon, which carries her to and from her home in Topanga Canyon. “I work through images in my mind while driving,” she said. Traffic can be a bad influence. “Because of the congestion, a lot of us are becoming rude drivers.” But there’s an upside...

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Linda Vallejo: “Make ‘Em All Mexican” at Avenue 50 Gallery Art Ltd. Magazine by Marlena Donohue, Editor Los Angeles, California July/August 2011     Linda Vallejo began in the ’80s as part of the stridently Latino movement including ASCO, demanding a place for brown artists, and noting the near absent representations of non-white experience/ selfhood at every level of US culture. Her work has included performances...

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 . One Year: The Art of Politics in Los Angeles LA Art News Published on Dec 8, 2017   “Linda Vallejo’s ‘The Brown Dot Project’ puts a human face on data—for example, a portrait of a young woman composed of 33,461 brown dots that illustrate the fact that 30.9% of Latinos living in the U.S. earned $50K+ in 2014.”   Full article  ...

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Self Help Graphics and the Birth of Modern Day Día de los Muertos KCET Artbound By Jordan Riefe October 25, 2017 Full article  ...

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Inside Self Help Graphics & Art Día De Los Muertos: A Cultural Legacy, Past Present & Future / PST: LA/LA By Eva Recinos Fabrik Magazine Issue 37 October 17, 2017 Full article Purchase magazine  ...

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Self Help Graphics & Art  Día de los Muertos: A Cultural Legacy, Past Present & Future as a part of the Getty Initiative PST: LA/LA Linda Vallejo and Betty Ann Brown co-curated Self Help Graphics’ El Dia de Los Muertos: Past, Present, and Future exhibition as a part of the Getty Foundation Initiative Pacific Standard Time (PST) LA/LA.  Over forty organizations and institutions across Southern California have received Getty...

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